You can move this triangular shape, and thus change theīeginning of a XLFO cycle. In the step editor you can see a triangular shape. Is also a modulation target which allows for very cool effects. To 1 it can completely overrule the individual step glide values at the extreme settings. Because the global Glide value can range from -1 Interpolation) and 1 (full interpolation). The final glide value is limited between 0 (no The global Glide value is added to the glide value for individual steps to arrive at theįinal glide value for each step. Point within a step at which the XLFO starts to interpolate to the value of the next step. The global Glide knob acts like an overall glide offset. To maximum, and the total amount of modulation will exactly correspond to 2 octaves. Now when you modulate a frequency parameter, turn the slot level Small piano keyboard appears, the range of the XLFO turns into 2 octaves, and steps "snap" to This function makes it possible to use the XLFO as an arpeggiator. Triggered by the first note-on MIDI message, and won't retrigger on successive notes If set to Legato mode, the XLFO will only be pressing a key) will restart the cycle of the waveform (to the The XLFO can be restarted at any point using MIDI if one of the MIDI sync options is enabledĪt the top-right corner of the frequency knob. The balance ring is also a modulation target so you can modulate the balance for creative effects. Generated more quickly than the last half. For example, when turned to the left, the first half of the wave form is The outer ring of the frequency knob adjusts the time balance of the first and last halves of Note that the Offset knob is also a modulation target. To certain predefined offsets for dotted and triplet synchronization. Host tempo, from half to two times the host tempo. Length multiplier and therefore is capable of changing the cycle length relative to the When using any of the synchronized cycle lengths (16 to 1/64, measured in bars) theįrequency knob changes into the Offset knob.
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